John Lewitt is a singer, multi-instrumentalist, and songwriter based in Toronto, Canada. He writes and records music which weaves its way through multiple genres; Country, Rock, Folk Pop, and Americana. 

Since 2013 he has released multiple albums and stand alone singles. He currently has four albums available on all streaming sites and in digital stores. 'All Good Things' (2018) and  ‘John Lewitt’ (2017) are is his most recent albums of new material.  ‘Reconsidered’ (2016) and 'Loose Ends' (2018) are albums featuring songs from his first three albums (Good Intentions, Long Story Short, and Inbetween The Light) that were remixed, remastered and reworked based on suggestions he received over the years while pitching these songs to industry insiders. 

He is proud to have had the following songs played frequently on Canadian radio, ranging from CBC Radio’s Afternoon Drive & Fresh Air shows to regional stations; “Go On”, “The Reason Why”, “Fallback (Stage Fright)”, and “Figure It Out”. 

John licenses his music to Film & TV and has recently had two songs featured on the Young & The Restless on CBS (Hold On, April 2018 and Kiss You Girl, October 2018). 

Over his career he has played in a variety of bands and at a variety of venues.  Some of his favourite appearances include playing at Roy Thompson Hall (Toronto), the Horseshoe Tavern (Toronto), the French Quarter Festival (New Orleans), and Park West (Chicago). 

John has been featured in Recording Magazine several times over the past few years and this is a sampling of what Marty Peters has had to say about his work: “Catchy, catchy tune….A fine summer soundtrack… John is quite obviously a talented musician and engineer; the good performances and tones he achieved would have been impossible if he were not.”



 Published September 26th, 2018

As a teenager in the eighties I dreamed about being the next Bruce Springsteen or Bryan Adams.  I would enthusiastically sing along to all of their songs, knowing that one day I would be just like them.  Unfortunately for those within earshot, I was completely tone deaf, which for me put a big dent in my dreams of becoming a world famous rock and roll star.  Realizing this limitation, I looked at other ways of achieving this realistic goal.  I had taken piano lessons when I was 5 years old and stopped taking them a couple years later.  My teacher had wanted me to play recitals but I didn’t appreciate the constant awarding of participation ribbons, so I quit.   However, years later at the ripe old age of 13, I still had this scant knowledge of how to play the piano so I decided this would be my gateway to fame and fortune.  If truth be told, I was trying to impress a girl, which I now know is a rock and roll cliche.  I went out and bought the easy sheet music to ‘Purple Rain’ and proceeded to practice playing the song ad nauseam.   Apparently, if you play something 500 times in a row you can get quite good at it. 

Over the course my high school years, I got better and better at the piano and even played Roy Thompson Hall a couple of times.  But deep down, I still wanted to sing.  Unfortunately, my voice did not improve as puberty set in.  I knew the notes I needed to hit, I just couldn’t get there. 

I went off to McGill University in 1990 and the one thing I couldn’t take with me was my piano, which posed a problem as I played it religiously 2 to 3 hours a day. It was then that I decided I should learn how to play a more portable instrument, so I went out and bought myself an acoustic guitar.  I had noodled around on one that my uncle had lent me years before, but I didn’t really know what I was doing.  I practised lots and got good enough that in the summer of my third year of university I recorded an album with a friend of mine who played the drums.  And for the first time in my life, I sang with the intention of people hearing me do it!  This was a big step for me and I’m proud to say that I didn’t stumble.  However, neither did I soar.  There was something about learning how to play the guitar that changed my musical ear - when I played it I was able to hold a melody without having anyone leave the room.  But I faced a new challenge.  Just being able to sing in key does not make you a rock and roll star.  Well, at least it didn’t back then.  I had to learn how to actually sing in a way that was honest, in a way that would connect me to my audience.  I needed to find my voice. 

At this point in the story, life got in the way.  I got a job.  I got married.  I had kids.  I didn’t have a lot of time to focus on singing or making music.  It suddenly became my weekend morning hobby and it was destined to stay a hobby.  Each year I’d put together a homemade CD of the 12 songs I had recently written and recorded and I gave them out to friends and family.  Looking back I’m embarrassed at what I created and shared with them.  You see, I’d learned to sing in key and I’d learned to start phrasing things in interesting ways, however, it hadn’t occurred to me to write songs in a key that was appropriate to my voice.  I was trying to hit notes that I had no business of ever approaching. 

Fast forward to this decade and I’d reached a point in my life that allowed me to focus all of my time on music and lucky for me the world of high end music creation had moved into our basements.  An artist no longer had to pay thousands of dollars to rent studio time to produce a high quality demo that would ultimately be rejected by every music company out there.  We had moved into an age where it was possible to spend those thousands of dollars building a home studio that would get you the exact same result!  But this is the part of the story where my perseverance started paying off.  You see, after all of these years I had still not given up my dream of becoming a rock and roll star.  I had started writing songs that I could sing and sing well.  But then I had to learn how to be a mix engineer.  You see, I could record all these great parts, but putting them all together to make something special is yet another art I had to learn, so I got to it and learned how to do so. 

I now had the whole package and I was ready to share it with the world.  I was ready to be discovered!  But guess what, no one cared and work still needed to be done.  I produced a beautiful looking CD and gave it to anyone who would take it from me.   We had reached a point in time where no one wanted to pay for music anymore, so my plan was to hook them, for free, with my musical brilliance.  And guess what?  The strangest thing started happening.  People started telling me how much they loved my voice, I heard things like “Oh my God, I didn’t know you could sing like that!”  I thought they were being kind, and in the back of my mind I was thinking perhaps they were under the influence of something illicit.  Then one Sunday morning, I started getting a bunch of emails.  “John, I just heard your song on CBC radio.”  I’ve got to tell you, that was one of the greatest things to happen to me.  The validation of someone I didn’t know, who actually did this for a living, playing my music for others was life changing. 

Since then I’ve had a bunch of songs played on the radio.  I’ve had my music played on TV.  Companies have licensed my songs to play in their stores to entice people to buy things.  I have people streaming my music daily on Spotify.  And I’ve had other artists tell me they wish that they could sing like me!  All of this still boggles the 13 year old version of me who wanted to be a rock and roll star.  While it would’ve been cool for that to have happened I’ve realized that that wasn’t my actual dream.  To have the ability to sing, either for just myself or others - I think that was my real dream all along.  I just had to be able to do so in order to realize that fact.